'Tartuffe' (Molière)THOK (National Theatre of Cyprus),
Nicosia and Island tour 1997 Directed by
Alkis Kritikos |
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For all the images please scroll to the right ........ Act
One. Madame Pernelle berating her son Orgon's household prior to her
hasty and angry departure. She has disturbed everyone from their sleep,
apart from Dorine the housekeeper and Cléante who has gone out
for an early morning round of golf. In the third picture, reading from
the left are Marianne, Elmire, Mme Pernelle, Dorine and Damis. The set
consisted of eight trucks in total, four of which comprised the main
set of Acts One and Five, which were identical. |
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Act Two. The change between each act was executed in a blue mirror balled light - it became a kind of ballet of trucks. The part solid, part skeletal nature of the set's construction meant that each change was very difficult to see and thus unpredictable until the next scene's lighting state was established. This
is the act when Orgon tries to persuade his daughter of the virtue of
marrying the villain, Tartuffe, but is overheard by Dorine. In our version
Dorine is about to start hoovering the corridor adjacent to that where
Orgon is having his private conversation with Marianne. Throughout the
play Dorine's work provides an ongoing background to the unfolding drama.
Valère, Marianne's real intended, makes his entrance through
the stage left doorway. |
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Acts Three and Four. The basic set for Acts One and Five rotates to form an upstairs/downstairs setting of Dorine's kitchen (Act Three), with Elmire's dressing room above as she prepares for her meeting with Tartuffe. Act
Four, the famous table scene, is set in the drawing room after dinner
the same evening. The men have retired to smoke and drink their after
dinner brandies but are rudely interrupted by the deputation of Elmire,
Dorine and Marianne who plead with Orgon to change his mind over giving
his daughter's hand to Tartuffe in marriage.
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