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was a return to Cyprus after designing 'Tartuffe' in Nicosia in 1997 also
with director Alkis Kritikos. The seaside town of Larnaka was a contrast
to the capital city and provided an enjoyable working environment. It
was a more closely knit, supportive community with many townspeople eager
to support the project.
I sent the designs for the play via email, a temporary web page and fax
before my only visit a week before the show opened. Happily the same workshop
team which had built the set for 'Tartuffe' were responsible for 'The
Dinner' and it all fell into place smoothly enough. I worked on the six
costumes during the week and, as this
was a modern-dress production this mainly entailed shopping with each
actor.
I'd enjoyed designing
the furniture, particularly the three legged chairs with the serpent tails
and zebra skin seats. The perspex table top, with its frosted centre,
allowed for dramatic up-lighting through the debri of glasses at the play's
tragic conclusion - the rape and murder following a drunken after-dinner
game which goes out of control. Leah Vitali, the author, came over from
Athens with her husband for the first night. This was only the second
production of the play earlier running successfully in Athens for two
years.
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